artsjournal.com Report : Visit Site

Technical data of the artsjournal.com

Geo IP provides you such as latitude, longitude and ISP (Internet Service Provider) etc. informations. Our GeoIP service found where is host artsjournal.com. Currently, hosted in United States and its service provider is New Dream Network LLC .

the related websites

the-tls.co.uk gaarts.org bbc.co.uk 

HTTP Header Analysis

HTTP Header information is a part of HTTP protocol that a user's browser sends to called Apache containing the details of what the browser wants and will accept back from the web server.

DNS

HtmlToText

artsjournal classic artsjournal by category artsjournal by category (text) artsjournal (text by date) artsjournal classic (headlines) subscribe free aj newsletters subscribe to aj’s premium newsletters follow facebook twitter tumblr rss advertising advertising place a classified ad about aj classifieds about aj classifieds place a classified ad about about contact sources contact artsjournal home dance ideas issues media music people theatre visual words ajblogs ajblog central culture amanda ameer ted bale doug borwick judith dobrzynski lynne conner jan herman matt lehrman david jays paul levy clayton lord sarah lutman scott mclemee douglas mclennan sheila melvin national arts strategies diane ragsdale tim riley lee rosenbaum michael rushton andrew taylor terry teachout scott timberg jim undercoffler chloe veltman margy waller dance deborah jowitt jean lenihan apollinaire scherr tobi tobias media jeff weinstein music andrew appel bruce brubaker lawrence dillon kyle gann joe horowitz speight jenkins alexander laing howard mandel doug ramsey greg sandow michal shapiro david patrick stearns stanford thompson theatre scott walters visual john perreault glenn weiss audience media august 24, 2018 3:03 pm what hollywood could learn from success of “crazy rich asians” studios today gravitate more toward sequels and established franchises because they tend to be safer box-office bets. but audiences aren’t nearly as narrow-minded as the hollywood development process might suggest. time and again, films that appeal to a broader demographic range, or that belong to under-sung genres, sell many more tickets than predicted. which is to say that multiple times every year, a film like girls trip, or black panther, or crazy rich asians is dubbed a “surprise” success. but moving forward, industry experts—whether studios or box-office analysts—will have fewer reasons to be caught off guard. … read more published in the atlantic on 08.23.18 ideas august 24, 2018 2:29 pm feeling oppressed by information overload? there are historical parallels in the coming years, it may be that conversational, artificially intelligent assistants will become part of the answer, deciding whether or not to alert us to messages, helping us retrieve information and recommending items of interest. but figuring out book reviews, indexes and the rest took several centuries, so we shouldn’t expect an immediate solution. in the meantime we must endure information overload: the feeling that arises in the space of time between a sudden increase in the flow of information and the development of the tools to enable us to cope with it. … read more published in the economist on september 2018 visual august 24, 2018 1:58 pm this is a critical time for la’s museum of contemporary art as new director steps in there’s been a lack of clarity in terms of the museum’s vision for 20 years now—it’s time for a plan that moves the institution forward. there’s also a critical mass of institutions of high ambitions now that makes for a very challenging and competitive landscape—lacma is more engaged with contemporary art than ever before, and the hammer [museum] is at its most energetic and creative. … read more published in the art newspaper on 08.23.18 issues august 24, 2018 1:28 pm have we locked ourselves into funding only the same old arts and institutions? “in australia,” she told me, “we continue to have the debate about whether putting the majority of our cultural subsidy into the same 30 or so companies for more than 30 years, to produce works for the same audiences, in same venues, often with the same artists, is a good idea. it raises the same level of disbelief as our recent ‘referendum’ on marriage equality or whether the country should boot out her maj as our head of state and become a republic. … read more published in clyde fitch report on 08.23.18 visual august 24, 2018 1:01 pm glassblowers stuck by a severe shortage of glass the shortage seems to be the culmination of stricter environmental laws, which led to a cutback in suppliers, compounded most recently by heavy demands on an overseas supplier. … read more published in oregon arts watch on 08.22.18 visual august 24, 2018 12:31 pm christie’s to auction first art by artificial intelligence a canvas print of art collective obvious’ (and gan’s) creation will be included in christie’s late october auction of prints and multiples, the new york-based auction house reports. it remains to be seen how bidders will react to the ai work, but obvious remains optimistic, citing an estimated sale price of €7,000 to €10,000, or roughly $8,000 to $11,500. … read more published in smithsonian on 08.21.18 media august 24, 2018 12:03 pm david simon on why he doesn’t make tv for the networks "frankly, i've never been good at writing to the common denominator. i'm still not. i haven't done one show that was a huge ratings hit. and at this point, i've done about 130 hours of television. ... as long as you had to go for the mass audience, you couldn't have stories that were dark, that vexed people, that had lead characters who were morally inconsistent, unlucky, or tragic. you couldn't write tragedies that any self-respecting greek might recognize." … read more published in new york review of books on 08.22.18 music august 24, 2018 11:34 am nashville is becoming a serious place for jazz a couple of years ago i did some recon at ground level, meeting with players like spivey, guitarist andy reiss and saxophonists jeff coffin and evan cobb. everybody told me the same thing: that nashville has always nurtured a small but serious jazz culture, and that its constituency, like so much else in this booming city, is growing at a prodigious rate. … read more published in npr on 08.23.18 ideas august 24, 2018 11:04 am ‘irony poisoning’ – yes, it’s a thing, and we should take it seriously "yes, at the moment the concept is seen as little more than another bit of self-referential young person slang, used only in the deepest recesses of the web. ... but irony poisoning should be entered, we think, into the pantheon of social science concepts that are used to rigorously measure, study and perhaps one day understand how social media platforms can rewire your brain and alter society." max fisher and amanda taub explore the concept and how it works. … read more published in new york times on 08.23.18 theatre august 24, 2018 10:32 am bomb destroys palestinian theater the said al-mishal centre brought theatre, dance and music to the beleaguered residents of gaza city. its destruction in an israeli air strike has sparked outrage – and dealt a heavy blow to palestinian culture … read more published in the guardian on 08.22.18 words august 24, 2018 10:01 am in search of a more inclusive plural form of address than ‘you guys’ "there are, of course, plenty of people — including many women — who have no problem being addressed as 'guys,' think the word has evolved to be entirely gender-neutral, and don't see a reason to change their usage. but others aren't so sure. ... in the course of reporting this story, i heard from teachers who wanted a better way to get students' attention, an ice-cream scooper who wanted a better way to greet customers, and a debate coach who specifically encourages his students to use 'y'all.' these are representatives of a broad coalition of people who have contemplated, and often gone through with, excising 'guys' from their vocabularies." … read more published in the atlantic on 08.23.18 issues august 24, 2018 9:28 am students are dropping the humanities in droves "five years ago, i argued that the humanities were still near long-term norms in their number of majors. but since then, i’ve been watching the numbers from the department of education, and every year, things look worse. almost every humanities field has seen a rapid drop in majors: history is down about 45 percent from its 2007 peak, while the number of english majors has fallen by nearly half since

URL analysis for artsjournal.com

http://www.artsjournal.com/state
http://www.artsjournal.com/worth
http://www.artsjournal.com/herman
http://www.artsjournal.com/aboutlastnight/wp/wp-content/uploads/2014/05/ink-bottle.jpeg
http://www.artsjournal.com/about-aj-classifieds/
https://www.artsjournal.com/rifftides/2018/08/jack-costanzo-1920-2018.html
http://www.artsjournal.com/aboutlastnight
http://www.artsjournal.com/aboutlastnight/2018/08/wait-hope-and-live.html
https://www.artsjournal.com/category/media
https://www.artsjournal.com/category/visual
http://www.artsjournal.com/artfulmanager
http://www.artsjournal.com/pencil
https://www.artsjournal.com/2017/05/ballet-austin-expanding-audiences-for-unfamiliar-works.html
http://www.artsjournal.com/songworking
https://www.artsjournal.com/subscribe-to-ajs-premium-newsletters
thestage.co.uk

Whois Information

Whois is a protocol that is access to registering information. You can reach when the website was registered, when it will be expire, what is contact details of the site with the following informations. In a nutshell, it includes these informations;

Domain Name: ARTSJOURNAL.COM
Registry Domain ID: 9565588_DOMAIN_COM-VRSN
Registrar WHOIS Server: whois.dreamhost.com
Registrar URL: http://www.DreamHost.com
Updated Date: 2019-07-28T07:33:55Z
Creation Date: 1999-08-28T07:38:03Z
Registry Expiry Date: 2020-08-28T07:38:01Z
Registrar: DreamHost, LLC
Registrar IANA ID: 431
Registrar Abuse Contact Email:
Registrar Abuse Contact Phone:
Domain Status: clientTransferProhibited https://icann.org/epp#clientTransferProhibited
Name Server: NS1.DREAMHOST.COM
Name Server: NS2.DREAMHOST.COM
Name Server: NS3.DREAMHOST.COM
DNSSEC: unsigned
URL of the ICANN Whois Inaccuracy Complaint Form: https://www.icann.org/wicf/
>>> Last update of whois database: 2019-08-11T05:07:53Z <<<

For more information on Whois status codes, please visit https://icann.org/epp

NOTICE: The expiration date displayed in this record is the date the
registrar's sponsorship of the domain name registration in the registry is
currently set to expire. This date does not necessarily reflect the expiration
date of the domain name registrant's agreement with the sponsoring
registrar. Users may consult the sponsoring registrar's Whois database to
view the registrar's reported date of expiration for this registration.

TERMS OF USE: You are not authorized to access or query our Whois
database through the use of electronic processes that are high-volume and
automated except as reasonably necessary to register domain names or
modify existing registrations; the Data in VeriSign Global Registry
Services' ("VeriSign") Whois database is provided by VeriSign for
information purposes only, and to assist persons in obtaining information
about or related to a domain name registration record. VeriSign does not
guarantee its accuracy. By submitting a Whois query, you agree to abide
by the following terms of use: You agree that you may use this Data only
for lawful purposes and that under no circumstances will you use this Data
to: (1) allow, enable, or otherwise support the transmission of mass
unsolicited, commercial advertising or solicitations via e-mail, telephone,
or facsimile; or (2) enable high volume, automated, electronic processes
that apply to VeriSign (or its computer systems). The compilation,
repackaging, dissemination or other use of this Data is expressly
prohibited without the prior written consent of VeriSign. You agree not to
use electronic processes that are automated and high-volume to access or
query the Whois database except as reasonably necessary to register
domain names or modify existing registrations. VeriSign reserves the right
to restrict your access to the Whois database in its sole discretion to ensure
operational stability. VeriSign may restrict or terminate your access to the
Whois database for failure to abide by these terms of use. VeriSign
reserves the right to modify these terms at any time.

The Registry database contains ONLY .COM, .NET, .EDU domains and
Registrars.

  REGISTRAR DreamHost, LLC

SERVERS

  SERVER com.whois-servers.net

  ARGS domain =artsjournal.com

  PORT 43

  TYPE domain

DOMAIN

  NAME artsjournal.com

  CHANGED 2019-07-28

  CREATED 1999-08-28

STATUS
clientTransferProhibited https://icann.org/epp#clientTransferProhibited

NSERVER

  NS1.DREAMHOST.COM 64.90.62.230

  NS2.DREAMHOST.COM 208.97.182.10

  NS3.DREAMHOST.COM 66.33.205.230

  REGISTERED yes

Mistakes

The following list shows you to spelling mistakes possible of the internet users for the website searched .